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<ArticleSet>
<Article>
<Journal>
				<PublisherName>دانشگاه علوم و معارف قرآن کریم</PublisherName>
				<JournalTitle>مطالعات سبک شناختی قرآن کریم</JournalTitle>
				<Issn>2676-6035</Issn>
				<Volume>9</Volume>
				<Issue>2</Issue>
				<PubDate PubStatus="epublish">
					<Year>2025</Year>
					<Month>10</Month>
					<Day>23</Day>
				</PubDate>
			</Journal>
<ArticleTitle>A Critical Discourse Analysis of the Story of Prophet Adam (AS) in the Holy Qur’an Based on Norman Fairclough’s Three-Dimensional</ArticleTitle>
<VernacularTitle>تحلیل گفتمان انتقادی داستان حضرت آدم (ع) در قرآن کریم بر اساس الگوی نورمن فرکلاف</VernacularTitle>
			<FirstPage>230</FirstPage>
			<LastPage>249</LastPage>
			<ELocationID EIdType="pii">218543</ELocationID>
			
<ELocationID EIdType="doi">10.22034/sshq.2025.468047.1480</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>عزت</FirstName>
					<LastName>ملا ابراهیمی</LastName>
<Affiliation>استادگروه زبان و ادبیات عربی، دانشکده ادبیات و علوم انسانی؛ دانشگاه تهران، ایران</Affiliation>

</Author>
<Author>
					<FirstName>عبدالوهاب</FirstName>
					<LastName>کمالی</LastName>
<Affiliation>دانشجوی کارشناسی ارشد زبان و ادبیات عربی، دانشگاه تهران، ایران.</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2024</Year>
					<Month>07</Month>
					<Day>20</Day>
				</PubDate>
			</History>
		<Abstract>&lt;strong&gt;&lt;span style=&quot;font-size: 13.5pt; font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;Research Objective / Problem Statement (Academic Formulation):&lt;/span&gt;&lt;/strong&gt;&lt;br&gt;&lt;span style=&quot;font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;The present study aims to conduct a critical discourse analysis of the Qur’anic narrative of Prophet Adam (AS), employing Norman Fairclough’s three-dimensional framework. As the first lived human experience narrated in the Qur’an, the story of Adam is not merely a religious or historical account, but a conceptual map that outlines the relational dynamics between human beings and God, the self, others, and the adversary (Satan). Owing to its multilayered and complex narrative structure, this story provides a fertile ground for critical discourse examination. Adopting a descriptive-analytical method, the study seeks to uncover the underlying linguistic, semantic, emotional, and ideological structures embedded within this Qur’anic narrative.&lt;/span&gt;&lt;br&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13.5pt; font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;Theoretical Framework and Research Methodology&lt;/span&gt;&lt;/strong&gt;&lt;br&gt;&lt;span style=&quot;font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;The present study draws upon Norman Fairclough’s Critical Discourse Analysis (CDA), a well-established approach in sociolinguistics that critically examines the hidden layers of meaning, power, ideology, and dominance within texts. Fairclough’s model analyzes discourse on three interconnected levels:&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;strong&gt;&lt;span style=&quot;font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;Description&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;: This stage involves examining the linguistic elements of the text, including vocabulary, sentence structure, active and passive verbs, and rhetorical devices such as metaphor, irony, contrast, and repetition.&lt;/span&gt;&lt;br&gt;&lt;strong&gt;&lt;span style=&quot;font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;Interpretation&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;: At this level, attention is paid to the contextual elements of time, place, and situation, as well as the emotional aspects and relationships among the actors in the narrative.&lt;/span&gt;&lt;br&gt;&lt;strong&gt;&lt;span style=&quot;font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;Explanation&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;: This stage analyzes the discourse in relation to broader social, political, and ideological structures, elucidating how the narrative reflects and reinforces power dynamics.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;Adopting a descriptive-analytical methodology, the study investigates the story of Prophet Adam (AS) in the Qur’an to identify and interpret the linguistic, emotional, temporal, and ideological mechanisms that construct the narrative.&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt; &lt;/span&gt;&lt;br&gt;&lt;strong&gt;&lt;span style=&quot;mso-fareast-font-family: &#039;Times New Roman&#039;; mso-fareast-theme-font: major-fareast;&quot;&gt;1. Description Level&lt;/span&gt;&lt;/strong&gt;&lt;br&gt;At the descriptive level, it is evident that God employs a variety of rhetorical techniques—such as synonymy, semantic contrast, repetition, emphasis, irony, and metaphor—to narrate the story of Adam (AS) in an artistic and purposeful manner. These devices are utilized not merely for aesthetic appeal but also to convey profound educational and epistemological concepts. Repetition of key terms, such as &lt;em&gt;&lt;span style=&quot;mso-fareast-font-family: &#039;Times New Roman&#039;; mso-fareast-theme-font: major-fareast;&quot;&gt;“temptation”&lt;/span&gt;&lt;/em&gt; (aghwā) and &lt;em&gt;&lt;span style=&quot;mso-fareast-font-family: &#039;Times New Roman&#039;; mso-fareast-theme-font: major-fareast;&quot;&gt;“prostration”&lt;/span&gt;&lt;/em&gt; (sujūd), highlights the ongoing struggle between good and evil. Variations in the use of active and passive verbs make the audience aware of the roles of the actors and the exercise of divine will. The choice of declarative and interrogative sentences, combined with imperative, cautionary, and occasionally descriptive tones, all serve to reinforce the Qur’anic messages.&lt;br&gt;&lt;strong&gt;&lt;span style=&quot;mso-fareast-font-family: &#039;Times New Roman&#039;; mso-fareast-theme-font: major-fareast;&quot;&gt;2. Interpretation Level&lt;/span&gt;&lt;/strong&gt;&lt;br&gt;At the interpretive level, the temporal and emotional dimensions play pivotal roles. Time is not presented merely as a chronological sequence but as a container for the unfolding of events and divine messages. The use of temporal markers such as &lt;em&gt;&lt;span style=&quot;mso-fareast-font-family: &#039;Times New Roman&#039;; mso-fareast-theme-font: major-fareast;&quot;&gt;“idh”&lt;/span&gt;&lt;/em&gt; (when), &lt;em&gt;&lt;span style=&quot;mso-fareast-font-family: &#039;Times New Roman&#039;; mso-fareast-theme-font: major-fareast;&quot;&gt;“thumma”&lt;/span&gt;&lt;/em&gt; (then), and successive quotations demonstrates the sequential flow of events and pedagogical lessons. The emotional dimension, on the other hand, enriches the narrative by evoking feelings such as the angels’ astonishment, Satan’s anger, and the remorse of Adam and his spouse. These affective elements facilitate audience empathy with the characters and enhance the impact of the story’s messages.&lt;br&gt;&lt;strong&gt;&lt;span style=&quot;mso-fareast-font-family: &#039;Times New Roman&#039;; mso-fareast-theme-font: major-fareast;&quot;&gt;3. Explanation Level&lt;/span&gt;&lt;/strong&gt;&lt;br&gt;At the explanatory level, the study focuses on the ideological conflicts embedded within the narrative. The primary struggle occurs between Satan and Adam (AS), and, on a higher level, between Satan and God, symbolizing the eternal battle between right and wrong. Satan, perceiving his mission as leading humans astray, engages in persistent antagonism toward humanity. In contrast, God provides a comprehensive plan of guidance encompassing trial, error, repentance, and return to the divine path. The ideology reflected in the text emphasizes absolute obedience to God, vigilance against Satanic temptation, and reliance on divine guidance. According to Fairclough, this discourse exemplifies the interplay of power and resistance; humans, when confronted with Satanic domination, must utilize reason, awareness, and divine guidance as tools for resistance.&lt;br&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13.5pt; font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;Conclusion&lt;/span&gt;&lt;/strong&gt;&lt;br&gt;&lt;span style=&quot;font-family: &#039;Times New Roman&#039;,serif; mso-fareast-font-family: &#039;Times New Roman&#039;; mso-font-kerning: 0pt; mso-ligatures: none; mso-bidi-language: FA;&quot;&gt;The Qur’anic narrative of Prophet Adam (AS) extends beyond a historical account, functioning as a dynamic and instructive text for all generations. Critical discourse analysis reveals that linguistic structures are employed to serve both epistemological and educational purposes. At the interpretive level, temporal and emotional elements effectively facilitate the communication of key concepts. At the explanatory level, the narrative’s fundamental conflicts embody the ideology of divine guidance in the face of Satanic temptation.This study demonstrates that critical discourse analysis provides a powerful tool for achieving a deeper and more precise understanding of Qur’anic narratives. The three-layered structure of the story of Adam (AS) effectively conveys divine messages through linguistic, symbolic, and social dimensions, offering a comprehensive model of human life, error, forgiveness, and guidance.&lt;/span&gt;</Abstract>
			<OtherAbstract Language="FA">تحلیل گفتمان انتقادی الگویی جدیدی در حوزه نقد و شاخه‌ای از زبانشناسی با رویکرد اجتماعی است که در پی کشف سایه‌ها ولایه‌های پنهان معنا است. نظریه تحلیل گفتمان انتقادی نورمن فرکلاف برای کشف فکر و ایدئولوژی‌های مخفی متن آن را در سه سطح توصیف، تفسیر و تبیین مورد بررسی قرار می‌دهد. داستان حضرت آدم (ع) به عنوان اولین داستان و تجربه زندگی بشر است که مهم‌ترین اصول، رفتار و کرداری را که انسان باید در طول زندگی سرلوحه رفتار خویش در تعامل با خود، دیگری، خداوند و دشمن سازد، بیان می‌دارد تا انسان با این ایدئولوژی و مکانیسم بتواند سعادت و رستگاری خویشتن را رقم زند. نگارندگان در جستار حاضر به روش توصیفی- تحلیلی و بر مبنای نظریه نورمن فرکلاف، داستان حضرت آدم (ع) را مورد واکاوی قرار داده‌اند. نتایج تحقیق حاکی از آن است که در سطح توصیف، خداوند در این داستان با استفاده از شگردهای مختلف زبانی چون ترادف، تضاد، تکرار، تأکید، استعاره، مجاز و غیره درصدد آگاهی بخشی هرچه بیشتر به انسانها برای تمسک به برنامه الهی و طبیعی جلوه دادن این امر است. در سطح تفسیر به زمان، مکان، وقوع حوادث و عاطفه هر یک از شخصیت‌ها اشاره می‌فرماید و نشان می‌دهد که آنان نسبت به هر موقعیتی، چه واکنشی انجام داده‌اند. در سطح تبیین نیز کشمکش هر یک از شخصیت‌های داستان و نتیجه آن کشمکش را بیان می‌دارد که سرانجام به هبوط حضرت آدم (ع) و فرزندانش به سوی زمین و خروج آنها از بهشت انجامید</OtherAbstract>
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