Stylistics Studies of the Holy Quran

Stylistics Studies of the Holy Quran

Investigating the harmony of Sur Hawamim side music through phonetic stylistics

Document Type : Original Article

Authors
1 PhD student in Quranic and Hadith Sciences, Imam Sadegh (AS) University
2 Assistant Professor, Department of Quranic Sciences and Interpretation, University of Holy Quranic Sciences and Education
1022034/sshq.2022.320720.1133
Abstract
The Holy Quran is a book that has many miraculous aspects, the first and most obvious of which is incarnation, which is a universal language, so that every listener, both Arabic and non-Arabic, who hears it, is thrilled and his feelings are changed. T, one of the sub-branches of which is side music, which is the result of balance and harmony between verses. On the other hand, the consensus of the scholars of Quranic sciences is that there is a special verbal and contentual correspondence between the Suri who have similar syllables. And they are placed one after the other in the Holy Qur'an; For this reason, in this article, an attempt has been made to analyze the appropriateness of this chapter through stylistics and at the phonetic level. The results of this analysis, which is a descriptive-analytical method, show that the intervals of the verses in these seven suras are predominantly and significantly ending in one of the letters "Nun" and "Meem" and the letters we read before are at a very reflective level. It has ended in one of the fashionable letters, which not only creates ecstasy in the audience, but also is completely in line with the intentions of the verse and the verse.
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Volume 4, Issue 2 - Serial Number 7
Fourth year, first issue, seventh consecutive, autumn and winter 2021
January 2021
Pages 101-119

  • Receive Date 20 December 2021
  • Revise Date 21 January 2022
  • Accept Date 30 January 2022
  • Publish Date 21 December 2020